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About Film Room · How the film visualiser works · Product and brand films · Product photography · CGI and 3D product animation · Film questions answered
You tell Hal, our design assistant, what you want made. A priced brief fills in on the left as you answer, and the centre draws your product to scale beside a 1.80 m person. You can change your answers and see the budget move as you go.
No. It is an indicative band, shown excluding VAT, so you can judge whether the project is in the right place before you commit anything. Final cost depends on size, finish, quantity, delivery and installation. The studio checks the figure and confirms it within two days.
Type in the budget you have. The tool proposes the smallest changes to scope that bring the project to it, and applies them to what you see on screen. You get a lower specification for your money, not the same thing for less.
Yes. We do not match prices, but we will go through a written quote line by line against our scope so you can see what each includes. If you need to pay less, we offer a version at your figure with a clearly stated scope.
You can save the project to an account, book a call, forward it to a colleague or download the pack. If you go ahead, drawings come first and you approve them in writing before anything is made.
A product film shows what something does, a brand film says who you are, and a social cut-down is a short version made for a feed. Each has its own purpose and scope.
Yes. CGI and 3D animation show a product before it is made, and the images follow the geometry we would actually build.
Yes. Photography is part of Film Room, for products and campaigns.
CGI is film and animation built from the product's own 3D model, so it can show the product moving, assembling or in use before a single one is made.
By length, number of versions, shooting or CGI, locations and edit. The tool asks about each and shows an indicative band.
Yes. Cut-downs are made for the formats you name, and Hal asks where they will run.
Brand films, product films, documentary pieces, adverts, social clips, CGI films where the product is built in computer graphics, and photography when you need stills only. Hal asks which, and for how long the finished piece should run.
You tell Hal what you want filmed and a priced brief fills in beside it. A treatment comes first for you to approve. Then the film is shot, or built as CGI, cut and delivered in the formats each channel needs.
In a studio, on real locations, on a set we build, in a virtual set, or a mix. A set we build comes from Set Room, so the film and the scenery are planned together.
A script, a storyboard, footage or photographs you already have, or 3D files and drawings of the product help. An idea alone is enough to start. Hal also asks how many days of filming you expect and whether people will appear on camera.
Weeks for a short social film, longer for a brand film with a cast, locations or effects. The length of the finished piece, the days of filming and the amount of animation move it most. Tell Hal the date and we say plainly whether it is realistic.
Sometimes. Hal asks whether you think location permits, releases from people on camera, or both will be needed, so they are in the plan before the shoot day.
Yes. Choose no sound, library music, an original score or a voice over. If the film will be shown in other languages, Hal asks how many.
Hal asks whether you will show it for one year, three years or without an end date, because how long you use a film is part of what is agreed at the start.
The finished film cut for the places it will run, social cut-downs where you asked for them, and stills from the shoot if you chose a handful or a full photo set.
