Eight projects. Concept to crate. Drawn on the creative side, built on the floor — same roof, same hands. Hover on a frame to bring it up; click to lock it bright.
A short roll, not a portfolio in the agency sense — these are the projects we keep showing because they say what we are. Window schemes that hold a flagship together. Hero props that survive a film set. Activations that travel. Each one drawn upstairs, built downstairs. Same roof, same hands.
A take-over of the Harrods Library Site for Maison Crivelli. Architectural display joinery — brass-on-stone palette, recessed niches, a fragrance ritual built into the woodwork. Drawn, prototyped, finished and installed in eight weeks. Held the floor for the campaign window.
"We're gonna need a bigger billboard." A large-format wheatpaste piece for Netflix that tipped over the edge of the medium itself — print, paper, scaffold and a copy line that did the heavy lifting. Designed against the clock, produced and installed in a long weekend.
Standing fixture for Hackett — dark stained oak, soft-aged brass furniture, tabletop merchandising, deep edge profiles. The kind of piece a sales floor doesn't notice for the right reasons: it stays put for years and the lacquer doesn't lift. A long-running roll-out across the chain.
A travel-ready hero build for an NFL UK takeover — modular, freightable, set up by a small crew in under a day. Brand grade finish on the visible faces, road-case hardware behind. The piece that has to land its first ten minutes and survive the next ten cities.
Hero marmalade jar for the Paddington campaign — turned blank, hand-finished label, true-blue lid, tolerances tight enough to sit beside the IP without flinching. Built once, photographed many times. A small build with a long tail.
A full-scale hero ship hull — vacuform skins on welded steel armature, paint-aged for camera, panels broken out for crew access. Built tough enough to take a film crew, light enough to crane into position in a morning. The kind of build that has to read both close and far.
A permanent gallery centrepiece for the Planet Cork museum at World of Wine, Porto. A hung sphere clad in real cork, lit from inside, drawn into a built room where the wall, floor and object all read as one material. Museum-grade build standards — twelve months of footfall and counting.
Not a project — the place all of these came out of. 460 m² of working floor at 9 Milk Street, Deritend. Joinery, metalwork, paint, electronics and finishing in one room, with an upstairs creative office feeding it drawings and approvals through the day. The thing that makes the rest possible.
We're selective with the briefs we take — but we always reply. Currently booking Q3 / Q4 2026.